It seems that the concept of a self-portrait has a varied response, giving a varied perception on what a self-portrait actually is. Looking at some of the self-portraits in lectures, using thorough analyse, we can clearly identify the purpose of the self-portraits, giving the idea that a picture really can say 1000 words. But, is it possible that in our curiosity, we often over complicate and are too thorough in our analyse of these 'self-portraits'. I felt that the image of Rembrandt, aged 22, was a clear example of how we can often overlook the point behind the self-portrait. I straight away believed that the man was deranged and crazed. When in actual fact, he was only practising his drawing skills. I believe that a self-portrait represents a connection or link between the artist and the piece of work. Although, this connection could be the tiniest of things, often, it portrays a bigger picture to the artist and viewer alike. Giving a clear portrayal of who the artist really is inside, in oppose the person we see on the outside.
Dear Ethan,
ReplyDeleteas this was your first post, this is the first chance I've had to give you the addresses of your classmates - see below; there are still more to come, but go have a look round and become a 'follower' - then go and say 'hi'
Regarding the above post - yes, it's always possible to read to much into a single image, but I guess that's the appeal of a portrait - it's unknowability... that's why they're a bit spooky too - before I show it, do some reading around the themes of Wilde's Dorian Gray...
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